Egitto font by Black[Foundry] — the word “Egitto” in a rounded orange rectangle, with various other words and phrases like “New Aswan” and “Nice Font” scattered around in different orange shapes.

Egitto Font Family

Egitto is a slab serif inspired by Italian vernacular signage. Its stable, low-contrast letterforms combine precision with unique detail, offering versatility and refinement within mechanistic charm. Perfect for display work in branding, packaging, and corporate use, the middle range also works well at smaller sizes. Available as a three-axis Variable Font or as a large family of single styles, including six widths with five weights plus italics, Egitto has the typographic range designers need.

Egitto font by Black[Foundry] — the word “Egitto” in a rounded orange rectangle, with various other words and phrases like “New Aswan” and “Nice Font” scattered around in different orange shapes.
Egitto font by Black[Foundry] — the word “Baia” in large orange slab-serif letters with two blue squares over the “i” and “a”, the word “SONG” in blue outline letters rotated vertically, and a piano keyboard graphic below.
Egitto font by Black[Foundry] — the words AMORES, ORIGINE, CANUCK, JOINING, and XOANON in upright slab serif capitals, with four stylized white floral icons.
Egitto font by Black[Foundry] — a white box truck with the numbers 1986 in large black slab-serif numerals above the italicized words “BUILDING EMPIRE” flanked by starburst icons, all on a black horizontal oval.
Egitto font by Black[Foundry] — a record label with the words “DISCOMIX RECORDS” above a globe icon, and a tracklist with “KAREN ROSKOF” and “THE KING’S OF LATE NIGHT” in a bold slab serif, alongside a barcode and other small print, next to a black background with “TROPICAL RECORDS VOL. EIGHT” in the same bold slab serif and “PRESENTED BY MIDNIGHT WOLFGANG” in a white slab serif.
Egitto font by Black[Foundry] — the word “NEWS” in large, bold, upright slab serif letters, with a small cup of coffee to the right
Egitto font by Black[Foundry] — a blue and white striped soccer jersey with the number 10 and the word “Egitto” on the front, and the word “PLAYER” and the number 10 on the back
Egitto font by Black[Foundry] — two posters with text in a slab serif, one with “Samedi th atr” and a list of italic titles, the other with “Moli re” and dates, both featuring a sunburst graphic.
Egitto font by Black[Foundry] — the word “rave” in large white slab serif letters with blue starbursts, and smaller blue slab serif text reading “underground from midnight until sunrise” and “tonight from ”, “ft. ears”, and “the 99 basement”
Egitto font by Black[Foundry] — the words “Athletic Leader” and “Match Nutrition” in large, bold, italic slab serif letters, with smaller upright slab serif text listing sports and a club description, and icons for a starburst, badminton shuttlecock, crossed baseball bats, and a basketball.
Egitto font by Black[Foundry] — a collection of orange and red labels with white slab serif text, including “planet sunshine,” “ocean,” “Nice Font,” “Rafah,” “New Aswan,” “99%,” “Nice,” “Welcome to the world of Egitto,” “2024,” “Trip,” “Discovering Foreign Culture,” “Ticket for Obour,” and “Karf Shukr”
Egitto font by Black[Foundry] — four black-and-white postage stamp-like graphics with serrated edges, each with a different geometric design and a word in orange slab serif letters: “Arish” above a white zigzag pattern and inverted triangle; “Matai” and “Obour” above and below a white bowl shape and two horizontal lines; two white knife shapes and the vertical letters “Egitto”; and a white circle, the word “Gizeh”, and three white curved shapes.
Type design is wonderful!
The art of cross-cultural type design is a fascinating field that explores the intersection of typography and multilingualism. It involves designing typefaces that can be used across different languages and writing systems, while still maintaining their aesthetic and functional qualities. This requires a deep understanding of the unique features of each writing system, as well as the cultural context in which they are used. Cross-cultural type design is essential in today's globalized world, as it allows people from different linguistic and cultural backgrounds to communicate effectively.
We notice type most when it's wrong. When something feels off. The spacing's tight, the voice is too loud, or it just doesn't match what's being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn't just about style. It's about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they're spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That's why trying type in context matters. It's one thing to see a beautiful letter or a well-set specimen — but it's another thing to see how it handles your content. How it behaves when it's small. How it reads when it's big. How it feels with your own words.That's what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You'll know when it feels right.
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
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Type design is wonderful!
The art of cross-cultural type design is a fascinating field that explores the intersection of typography and multilingualism. It involves designing typefaces that can be used across different languages and writing systems, while still maintaining their aesthetic and functional qualities. This requires a deep understanding of the unique features of each writing system, as well as the cultural context in which they are used. Cross-cultural type design is essential in today's globalized world, as it allows people from different linguistic and cultural backgrounds to communicate effectively.
We notice type most when it's wrong. When something feels off. The spacing's tight, the voice is too loud, or it just doesn't match what's being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn't just about style. It's about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they're spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That's why trying type in context matters. It's one thing to see a beautiful letter or a well-set specimen — but it's another thing to see how it handles your content. How it behaves when it's small. How it reads when it's big. How it feels with your own words.That's what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You'll know when it feels right.
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
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Type design is wonderful!
The art of cross-cultural type design is a fascinating field that explores the intersection of typography and multilingualism. It involves designing typefaces that can be used across different languages and writing systems, while still maintaining their aesthetic and functional qualities. This requires a deep understanding of the unique features of each writing system, as well as the cultural context in which they are used. Cross-cultural type design is essential in today's globalized world, as it allows people from different linguistic and cultural backgrounds to communicate effectively.
We notice type most when it's wrong. When something feels off. The spacing's tight, the voice is too loud, or it just doesn't match what's being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn't just about style. It's about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they're spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That's why trying type in context matters. It's one thing to see a beautiful letter or a well-set specimen — but it's another thing to see how it handles your content. How it behaves when it's small. How it reads when it's big. How it feels with your own words.That's what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You'll know when it feels right.
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789
.,;:!?"'()[]{}<>
&¶†‡§*™®©@ªº#№€$¥£¢₡₮₴₺₹₫₩₪₭₱₵₸₼₽¤+−×÷=¬~<>±^≠≈≤≥∞◊√∫∂∏∑∆ℓ
Type design is wonderful!
The art of cross-cultural type design is a fascinating field that explores the intersection of typography and multilingualism. It involves designing typefaces that can be used across different languages and writing systems, while still maintaining their aesthetic and functional qualities. This requires a deep understanding of the unique features of each writing system, as well as the cultural context in which they are used. Cross-cultural type design is essential in today's globalized world, as it allows people from different linguistic and cultural backgrounds to communicate effectively.
We notice type most when it's wrong. When something feels off. The spacing's tight, the voice is too loud, or it just doesn't match what's being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn't just about style. It's about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they're spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That's why trying type in context matters. It's one thing to see a beautiful letter or a well-set specimen — but it's another thing to see how it handles your content. How it behaves when it's small. How it reads when it's big. How it feels with your own words.That's what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You'll know when it feels right.
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789
.,;:!?"'()[]{}<>
&¶†‡§*™®©@ªº#№€$¥£¢₡₮₴₺₹₫₩₪₭₱₵₸₼₽¤+−×÷=¬~<>±^≠≈≤≥∞◊√∫∂∏∑∆ℓ
Type design is wonderful!
The art of cross-cultural type design is a fascinating field that explores the intersection of typography and multilingualism. It involves designing typefaces that can be used across different languages and writing systems, while still maintaining their aesthetic and functional qualities. This requires a deep understanding of the unique features of each writing system, as well as the cultural context in which they are used. Cross-cultural type design is essential in today's globalized world, as it allows people from different linguistic and cultural backgrounds to communicate effectively.
We notice type most when it's wrong. When something feels off. The spacing's tight, the voice is too loud, or it just doesn't match what's being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn't just about style. It's about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they're spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That's why trying type in context matters. It's one thing to see a beautiful letter or a well-set specimen — but it's another thing to see how it handles your content. How it behaves when it's small. How it reads when it's big. How it feels with your own words.That's what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You'll know when it feels right.
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789
.,;:!?"'()[]{}<>
&¶†‡§*™®©@ªº#№€$¥£¢₡₮₴₺₹₫₩₪₭₱₵₸₼₽¤+−×÷=¬~<>±^≠≈≤≥∞◊√∫∂∏∑∆ℓ
Type design is wonderful!
The art of cross-cultural type design is a fascinating field that explores the intersection of typography and multilingualism. It involves designing typefaces that can be used across different languages and writing systems, while still maintaining their aesthetic and functional qualities. This requires a deep understanding of the unique features of each writing system, as well as the cultural context in which they are used. Cross-cultural type design is essential in today's globalized world, as it allows people from different linguistic and cultural backgrounds to communicate effectively.
We notice type most when it's wrong. When something feels off. The spacing's tight, the voice is too loud, or it just doesn't match what's being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn't just about style. It's about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they're spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That's why trying type in context matters. It's one thing to see a beautiful letter or a well-set specimen — but it's another thing to see how it handles your content. How it behaves when it's small. How it reads when it's big. How it feels with your own words.That's what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You'll know when it feels right.
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789
.,;:!?"'()[]{}<>
&¶†‡§*™®©@ªº#№€$¥£¢₡₮₴₺₹₫₩₪₭₱₵₸₼₽¤+−×÷=¬~<>±^≠≈≤≥∞◊√∫∂∏∑∆ℓ
Type design is wonderful!
The art of cross-cultural type design is a fascinating field that explores the intersection of typography and multilingualism. It involves designing typefaces that can be used across different languages and writing systems, while still maintaining their aesthetic and functional qualities. This requires a deep understanding of the unique features of each writing system, as well as the cultural context in which they are used. Cross-cultural type design is essential in today's globalized world, as it allows people from different linguistic and cultural backgrounds to communicate effectively.
We notice type most when it's wrong. When something feels off. The spacing's tight, the voice is too loud, or it just doesn't match what's being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn't just about style. It's about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they're spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That's why trying type in context matters. It's one thing to see a beautiful letter or a well-set specimen — but it's another thing to see how it handles your content. How it behaves when it's small. How it reads when it's big. How it feels with your own words.That's what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You'll know when it feels right.
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789

Buy Egitto

1. Select Style
Egitto
Superfamily
60 styles, 1 variable font
$741.49
Save 71%$2,529.39
Egitto
Family
10 styles
$237.49
Save 34%$359.90
Extra Light
$35.99
Extra Light Italic
$35.99
Regular
$35.99
Regular Italic
$35.99
Medium
$35.99
Medium Italic
$35.99
Bold
$35.99
Bold Italic
$35.99
Extra Bold
$35.99
Extra Bold Italic
$35.99
Egitto Condensed
Family
10 styles
$237.49
Save 34%$359.90
Extra Light
$35.99
Extra Light Italic
$35.99
Regular
$35.99
Regular Italic
$35.99
Medium
$35.99
Medium Italic
$35.99
Bold
$35.99
Bold Italic
$35.99
Extra Bold
$35.99
Extra Bold Italic
$35.99
Egitto Semi Extended
Family
10 styles
$237.49
Save 34%$359.90
Extra Light
$35.99
Extra Light Italic
$35.99
Regular
$35.99
Regular Italic
$35.99
Medium
$35.99
Medium Italic
$35.99
Bold
$35.99
Bold Italic
$35.99
Extra Bold
$35.99
Extra Bold Italic
$35.99
Egitto Extended
Family
10 styles
$237.49
Save 34%$359.90
Extra Light
$35.99
Extra Light Italic
$35.99
Regular
$35.99
Regular Italic
$35.99
Medium
$35.99
Medium Italic
$35.99
Bold
$35.99
Bold Italic
$35.99
Extra Bold
$35.99
Extra Bold Italic
$35.99
Egitto Wide
Family
10 styles
$237.49
Save 34%$359.90
Extra Light
$35.99
Extra Light Italic
$35.99
Regular
$35.99
Regular Italic
$35.99
Medium
$35.99
Medium Italic
$35.99
Bold
$35.99
Bold Italic
$35.99
Extra Bold
$35.99
Extra Bold Italic
$35.99
Egitto Super Wide
Family
10 styles
$237.49
Save 34%$359.90
Extra Light
$35.99
Extra Light Italic
$35.99
Regular
$35.99
Regular Italic
$35.99
Medium
$35.99
Medium Italic
$35.99
Bold
$35.99
Bold Italic
$35.99
Extra Bold
$35.99
Extra Bold Italic
$35.99
Egitto Variable
Family
Styles included • 1 variable font
$369.99
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latin capital letter a U+0041
A

Uppercase Letter Latin

Uppercase Letter Greek

Lowercase Letter Latin

Lowercase Letter

Modifier Letter

Other Letter Latin

Nonspacing Mark Inherited

Decimal Number

Other Number

Connector Punctuation

Dash Punctuation

Close Punctuation

Final Punctuation

Initial Punctuation

Other Punctuation

Open Punctuation

Currency Symbol

Modifier Symbol

Math Symbol

Other Symbol

Stylistic Set 1

Fractions

Oldstyle Figures

Tabular Figures

Ordinals

Scientific Inferiors

Superscript

Subscript

Numerators

Denominators

Case-Sensitive Forms

Credits & Details

Designed by

Jérémie Hornus, Solenn Bordeau

Language Support

Language Support

  • Catalan
  • Croatian
  • Czech
  • Danish
  • Dutch
  • English
  • Filipino
  • Finnish
  • French
  • Fula
  • German
  • Hungarian
  • Indonesian
  • Italian
  • Latvian
  • Malay
  • Maltese
  • Norwegian
  • Polish
  • Portuguese
  • Romanian
  • Slovak
  • Slovenian
  • Spanish
  • Swedish
  • Turkish
  • Vietnamese

Features

OpenType Features

  • Fractions
  • Lining Numerals
  • Old Style Numerals
  • Ordinal Numerals
  • Proportional Numerals
  • Stylistic Sets
  • Subscript
  • Superscript
  • Tabular Numerals