Tosh A font by Black[Foundry] — Arabic script letters in a rounded sans serif style, with a large central character, surrounded by a red and purple smoky aura.

Tosh Font Family

Tosh is a sans serif font family blending geometric forms with an organic spirit, expressed through two families: Tosh A and Tosh B. Tosh A leans geometric, while Tosh B takes a more constructed approach. Both are unmistakably modern. Tosh A and B spans Thin to Black, or variable fonts, and supports Latin, Cyrillic, and Arabic. This range allows designers to maintain a unified visual language across scripts. It also provides the expressive detail needed for contemporary design.

Tosh A font by Black[Foundry] — Arabic script letters in a rounded sans serif style, with a large central character, surrounded by a red and purple smoky aura.
Tosh A font by Black[Foundry] — the word “Done…” and Arabic script “خلص…” in two sans serif styles, labeled “Tosh B” and “Tosh A” in English and Arabic.
Tosh A font by Black[Foundry] — the letters X and A in a modern sans serif style, with the X outlined and the A filled, against a dark background with blue and purple gradients
Tosh A font by Black[Foundry] — the words “Tosh A Arabic” and “Tosh B Arabic” in upright sans serif, with Arabic script above and below, all against a background of red and purple blurred shapes
Tosh A font by Black[Foundry] — Arabic text in three weights, with the middle two lines in a bold sans serif and the top and bottom lines in a light sans serif.
Tosh A font by Black[Foundry] — the words “tosh arrows” in white sans serif letters, with three rows of white arrow icons above them, on a black background with a distressed blue stripe on the right
Tosh A font by Black[Foundry] — the word “tosh” in white sans serif letters, repeated twice, with a magenta spray paint effect over a black background
Tosh A font by Black[Foundry] — a list of five numbered items in Cyrillic sans serif letters, partially obscured by a bright green, distressed background on the right
Tosh A font by Black[Foundry] — the letters T, O, S, and H in white sans serif, with parts of the letters filled with a bright green, textured, liquid-like pattern
Tosh A font by Black[Foundry] — the numerals 0 through 9 shown in white sans serif, with some numerals repeated, and the words “Geometry vs Expressiveness” in the lower right, all against a black background with blue splatters on the left
Tosh A font by Black[Foundry] — the letters T, O, S, H, and A in white sans serif, with a magenta and black textured background
Tosh A font by Black[Foundry] — the words “Geometric Hybrid” in white sans serif letters, repeated and rotated along the edges of a blue and black abstract background
Tosh A font by Black[Foundry] — two large sans serif letters G, the left one solid white and the right one a translucent white, on a distressed blue and black background
Tosh A font by Black[Foundry] — the word TOSH repeated in white sans serif letters across six rows, with the bottom three rows partially obscured by a magenta, cloud-like texture
Tosh A font by Black[Foundry] — white sans serif Cyrillic words with various geometric icons, some of which are partially obscured by green textured shapes
Type design is wonderful!
The art of cross-cultural type design is a fascinating field that explores the intersection of typography and multilingualism. It involves designing typefaces that can be used across different languages and writing systems, while still maintaining their aesthetic and functional qualities. This requires a deep understanding of the unique features of each writing system, as well as the cultural context in which they are used. Cross-cultural type design is essential in today's globalized world, as it allows people from different linguistic and cultural backgrounds to communicate effectively.
We notice type most when it's wrong. When something feels off. The spacing's tight, the voice is too loud, or it just doesn't match what's being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn't just about style. It's about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they're spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That's why trying type in context matters. It's one thing to see a beautiful letter or a well-set specimen — but it's another thing to see how it handles your content. How it behaves when it's small. How it reads when it's big. How it feels with your own words.That's what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You'll know when it feels right.
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789
Type design is wonderful!
The art of cross-cultural type design is a fascinating field that explores the intersection of typography and multilingualism. It involves designing typefaces that can be used across different languages and writing systems, while still maintaining their aesthetic and functional qualities. This requires a deep understanding of the unique features of each writing system, as well as the cultural context in which they are used. Cross-cultural type design is essential in today's globalized world, as it allows people from different linguistic and cultural backgrounds to communicate effectively.
We notice type most when it's wrong. When something feels off. The spacing's tight, the voice is too loud, or it just doesn't match what's being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn't just about style. It's about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they're spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That's why trying type in context matters. It's one thing to see a beautiful letter or a well-set specimen — but it's another thing to see how it handles your content. How it behaves when it's small. How it reads when it's big. How it feels with your own words.That's what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You'll know when it feels right.
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789

Buy Tosh

1. Select Style
Tosh
Collection
12 styles
$295.99
Save 38%$479.88
Tosh A
Superfamily
6 styles, 1 variable font included for FREE!
$199.99
Save 17%$239.94
Tosh B
Superfamily
6 styles, 1 variable font included for FREE!
$199.99
Save 17%$239.94
Tosh A
Family
6 styles
$175.99
Save 27%$239.94
Thin
$39.99
Light
$39.99
Regular
$39.99
Medium
$39.99
Bold
$39.99
Black
$39.99
Tosh B
Family
6 styles
$175.99
Save 27%$239.94
Thin
$39.99
Light
$39.99
Regular
$39.99
Medium
$39.99
Bold
$39.99
Black
$39.99
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latin capital letter a U+0041
A

Uppercase Letter Latin

Uppercase Letter Cyrillic

Uppercase Letter Greek

Lowercase Letter Latin

Lowercase Letter

Lowercase Letter Greek

Lowercase Letter Cyrillic

Modifier Letter

Other Letter Latin

Letter Arabic

Nonspacing Mark Inherited

Nonspacing Mark Arabic

Decimal Number

Decimal Number Arabic

Other Number

Connector Punctuation

Dash Punctuation

Close Punctuation

Final Punctuation

Initial Punctuation

Other Punctuation

Punctuation Arabic

Open Punctuation

Currency Symbol

Currency Symbol Arabic

Modifier Symbol

Math Symbol

Other Symbol

Ligatures

Discretionary Ligatures

Stylistic Set 1

Fractions

Tabular Figures

Ordinals

Scientific Inferiors

Superscript

Subscript

Numerators

Denominators

Case-Sensitive Forms

Glyph Composition

Initial Forms

Medial Forms

Final Forms

Credits & Details

Designed by

Jérémie Hornus, Ilya Naumoff, Benjamin Blaess, Keya Vadgama, Gaëtan Baehr, Hirbod Lotfian

Language Support

Language Support

  • Arabic
  • Belarusian
  • Bulgarian
  • Catalan
  • Croatian
  • Czech
  • Danish
  • Dutch
  • English
  • Filipino
  • Finnish
  • French
  • Fula
  • German
  • Hungarian
  • Indonesian
  • Italian
  • Kazakh
  • Latvian
  • Macedonian
  • Malay
  • Maltese
  • Norwegian
  • Persian
  • Polish
  • Portuguese
  • Romanian
  • Russian
  • Serbian
  • Slovak
  • Slovenian
  • Spanish
  • Swedish
  • Turkish
  • Ukrainian
  • Urdu
  • Uzbek
  • Vietnamese

Features

OpenType Features

  • Common Ligatures
  • Discretionary Ligatures
  • Fractions
  • Lining Numerals
  • Ordinal Numerals
  • Proportional Numerals
  • Stylistic Sets
  • Subscript
  • Superscript
  • Tabular Numerals